Ximeng
Deng

Photography           Writings              Info







Isabella Stewart Gardner Museum
The Veronese Room Lace Case https://www.gardnermuseum.org/blog/
isabellas-lace


Charlestown Navy Yard Visitor Center
Navy Yard’s Ropewalk
https://ussconstitutionmuseum.org/
20
16/10/21/ropemakers-navy-part-ii/
Boston Juxtapositon          2022




Charlestown Navy Yard Visitor Center
Museum of Fine Arts Boston
Art of the Americas, 18th-Century Arts, Gallery 132







Museum of Fine Arts Boston
Who is Missing?

Caption: Colonial portraits were more aspirational than documentary-painters wanted to show off their skills rendering the shimmer of a satin dress or the softness of a curl of hair, and sitters wanted to appear confident, worldly, and beautifully dressed, regardless of how they actually looked. Especially for wealthy white elites, portraits marked significant events like marriages, soliditied relationships between families, and projected their ideas of prosperity and power. This empty picture frame represents the many people in the Revolutionary period who were never painted — or heroized — in oil on canvas.

Perhaps the people missing from this picture could not afford to commission a portrait, or perhaps they conveyed their values through different art forms. Should we see here the face of Crispus Attucks, the sailor of African and Natick Indian descent who became the first Patriot to die in the war? Or perhaps Phillis Wheatley, the young West African woman enslaved in Boston who became an internationally acclaimed poet, should be shown at her writing desk? There is no portrait of Sachem Solomon Uhhaunaunaunmut ("King Solomon"), who led Stockbridge Mohican soldiers against British forces in early Revolutionary battles. Who else is missing? Elizabeth Freeman, whose lawsuit for freedom led the Massachusetts Supreme Judicial Court to outlaw slavery in 1781? Who do you want to see?


Isabella Stewart Gardner Museum
The First Piece of a Museum

When [the] Museum was complete, Isabella installed this painting in the Dutch Room. Rembrandt’s Self Portrait was not only a cornerstone of this space, but fundamental to her entire conception of the Museum. According to Morris Carter, the Museum’s first Director, this was the first painting Isabella had purchased with “the intention of developing a real museum collection.”

In the early hours of March 18, 1990, the Gardner Museum experienced the single largest property theft in the world when 13 works of art were stolen. The best known were taken from the Dutch Room.
https://www.gardnermuseum.org/experience/yes-rembrandt
https://www.gardnermuseum.org/about/theft-story







Massachusetts Historical Society

Brattle Book Shop








Massachusetts Historical Society
Trident Booksellers & Cafe


























Museum of Fine Arts Boston






Harvard Art Museums
Stele with Bodhisattva and Two Attendants, early 2nd century, India
https://harvardartmuseums.org/collections/
object/200403


Bodhisattvas in Indian art are sometimes depicted wearing light and thin garments, a reflection of the warmer climate across many parts of India.


Museum of Fine Arts Boston

Mrs. James Warren (Mercy Otis), about 1763, Americas
https://collections.mfa.org/objects/32409
Harvard Art Museums

Woman’s Robe with Floral Decor, late 19th century, China
https://harvardartmuseums.org/collections/object/214666








Museum of Fine Arts Boston
Japanese Garden, Tenshin-en
Institute of Contemporary Art Boston
Yayoi Kusama: LOVE IS CALLING








































Massachusetts Historical Society

































Harvard Art Museums

1006 East Arcade

Head from a Column Support 
in the Form of a Crouching Winged Beast, 
Northern Qi, 550-577;
from central pillar of North Cave, 
northern Xiangtangshan Caves, 
Wu'an, Hebei province.
https://harvardartmuseums.org/collections/object/209204


Courtyard

The original cave of the sculpture 
is as expansive as this entire building.